Methuselah (In Chains of Time) for symphony orchestra; performed by Rochester Philharmonic Orchestra, conducted by Andreas Delfs, and commissioned by the League of American Orchestras with generous support from the Virginia B. Toulmin Foundation

Methuselah (In Chains of Time) for symphony orchestra; performed by Rochester Philharmonic Orchestra, conducted by Andreas Delfs, and commissioned by the League of American Orchestras with generous support from the Virginia B. Toulmin Foundation

Secrets, Invocations for solo cello, performed and commissioned by Alisa Weilerstein as part of her multi-year FRAGMENTS project

Spellbound, for solo viola, commissioned by Maggie Snyder, and performed by Katharina Kang Litton of Litton Duo

Klein International String Competition commissioned works; Jurist for competition

Klein International String Competition commissioned works; Jurist for competition

Guest Composer - Masterclass at the American Festival for the Arts

World premiere of Methuselah (In Chains of Time) for symphony orchestra; performed by San Diego Symphony, conducted by Rafael Payare, and commissioned by the League of American Orchestras with generous support from the Virginia B. Toulmin Foundation

World premiere of Methuselah (In Chains of Time) for symphony orchestra; performed by San Diego Symphony, conducted by Rafael Payare, and commissioned by the League of American Orchestras with generous support from the Virginia B. Toulmin Foundation

Four Tableaux for Sextet, for clarinet, saxophone, percussion, piano, violin, and cello; performed by Latitude 49 and commissioned by Chamber Music America

Guest Composer - Masterclass and seminar at UCSD Composition Department

Road to Hana, for string quartet; performed by Musiqa, commissioned by Del Sol Quartet

World premiere of Secrets and Invocations for solo cello, performed and commissioned by Alisa Weilerstein as part of her multi-year FRAGMENTS project

World premiere of Four Tableaux for Sextet, for clarinet, saxophone, percussion, piano, violin, and cello; performed by Latitude 49 and commissioned by Chamber Music America

Movements from the suite, Blue of Silence, for violin, piano, and pre-recorded instruments; performed by violinist Francesca dePasquale at the Heifetz International Music Institute

Light for solo piano; performed by Han Chen at Leschetizky Association benefit concert

Duo for violin and piano; performed by violinist Rachel Zhao and pianist Minji Lee

Mother, for symphony orchestra; performed and commissioned by BBC Symphony Orchestra for the Last Night of the Proms 2021, conducted by Ben Gernon, at Zadie Smith and the BBC Symphony Orchestra

Blue of Silence, for violin, piano, and pre-recorded instruments; performed by violinist Francesca dePasquale and pianist Reiko Uchida and commissioned by Francesca dePasquale and Philadelphia Chamber Music Society

Blue of Silence, for violin, piano, and pre-recorded instruments; performed by violinist Francesca dePasquale and pianist Reiko Uchida and commissioned by Francesca dePasquale and Philadelphia Chamber Music Society

The Strange Highway, for cello octet; performed by Oberlin Chamber Orchestra, conducted by Raphael Jiménez

Blue of Silence, for violin, piano, and pre-recorded instruments; performed by violinist Francesca dePasquale and pianist Reiko Uchida and commissioned by Francesca dePasquale and Philadelphia Chamber Music Society

Song & Whispers, for viola solo; performed by Kimia Hesabi

Metamorphosis of Narcissus, for chamber orchestra and electronics, performed by Bowling Green Philharmonia, conducted by Emily Freeman Brown

Song & Whispers, for viola solo; performed by Kimia Hesabi

World premiere of Mother, for symphony orchestra; commissioned for Last Night of the BBC Proms 2021 and performed by BBC Symphony Orchestra under the direction of Sakari Oramo

Four Tableaux for Sextet, for clarinet, saxophone, percussion, piano, violin, and cello; performed by Latitude 49 and commissioned by Chamber Music America
(Postponed due to Covid-19)

Spellbound, for solo viola; commissioned by Maggie Snyder and University of Georgia for her VIOLA2020 project

World premiere of Beauty of America, for solo piano; commissioned and performed by pianist Min Kwon as part of her America/Beautiful project

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

World premiere of Blue of Silence, for violin, piano, and pre-recorded instruments; performed by violinist Francesca dePasquale and pianist Reiko Uchida and commissioned by Francesca dePasquale and Philadelphia Chamber Music Society

World premiere of And the brightest rivers glide…, for orchestra; performed by Atlanta Symphony Orchestra under the direction of Jerry Hou.
(Cancelled Due to COVID-19)

Arizona Dreams, for string orchestra; performed by Orquesta de Cámara de Bellas Artes under the direction of Daniela Candillari (Cancelled due to COVID-19)

She Sings, for chorus and string trio; commissioned by Brooklyn Youth Chorus for its “she is called” production; part of Bang on a Can’s inaugural Long Play Festival held May 1-3 at various Brooklyn venues.
(Cancelled due to COVID-19)

Legend of Sigh, for solo cello, pre-recorded cello, and electronics; commissioned by cellist Inbal Segev and performed by Jonathan Aasgaard.
(Cancelled due to COVID-19)

She Sings, for chorus and string trio; commissioned by Brooklyn Youth Chorus for its “she is called” production.
(Cancelled due to COVID-19)

Legend of Sigh, for solo cello and electronics; performed by Inbal Segev.
(Cancelled due to COVID-19)

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Legend of Sigh, for solo cello, pre-recorded cello, and electronics; performed by Inbal Segev

Four Haikus, for classical guitar duo, commissioned by Duo Noire and performed by Duo FretX (Mak Grgic and Daniel Lippel)

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Cadenza for the Once Young for solo violin; commissioned by Washington Performing Arts for violinist Yevgeny Kutik

Cadenza for the Once Young for solo violin; commissioned by Washington Performing Arts for violinist Yevgeny Kutik

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

A Prayer for the Abandoned for piano trio

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Cadenza for the Once Young for solo violin; commissioned by Washington Performing Arts for violinist Yevgeny Kutik, performed at the Ravinia Music Festival

Metamorphosis of Narcissus, for chamber orchestra and electronics; performed by Refugee Orchestra Project and conducted by Lidiya Yankovskaya

Four Haikus, for classical guitar duo; commissioned and performed by Duo Noire

Four Haikus, for classical guitar duo; commissioned and performed by Duo Noire

Light for solo piano; performed by Farshad Zadeh

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Metamorphosis of Narcissus performed by Chicago Composers Orchestra

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

West Coast premiere of Lux Aeterna for a cappella choir performed by Sine Nomine Chamber Choir

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Legend of Sigh, multimedia immersive piece for solo cello, pre-recorded cello, and electronics performed by Inbal Segev at Seattle Symphony's Octave 9 Music Marathon

Lucea, Jamaica for soprano and piano commissioned by Chautauqua Opera Company, performed as part of Opera America’s Emerging Artist Recital Series

Road to Hana, for string quartet commissioned by Del Sol Quartet

Legend of Sigh, multimedia immersive piece for solo cello, pre-recorded cello, and electronics with video projection by Carmen Kordas, commissioned and performed by Inbal Segev

Shadow Lines for solo cello and electronics, choreography by Donal Byrd for Spectrum Dance Theater

Shadow Lines for solo cello and electronics, choreography by Donal Byrd for Spectrum Dance Theater

Shadow Lines for solo cello and electronics, choreography by Donal Byrd for Spectrum Dance Theater

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Three Tarot Cards for String Quartet performed by Quartetto Sincronie Presented by EstOvest Festival

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Cadenza for the Once Young for solo violin; commissioned by Washington Performing Arts for violinist Yevgeny Kutik

Launch of National Sawdust’s 4th season:  The Strange Highway for cello octet performed by NOVUS NY ensemble of Trinity Wall Street

Legend of Sigh, for solo cello, pre-recorded cello, and electronics; commissioned and performed by cellist Inbal Segev

A Prayer for the Abandoned for piano trio,  performed at The Charles Ives Series in celebration of the legendary American composer, Samuel Adler’s 90th birthday

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Light for solo piano. Voices of Women album release party

Aleph for solo cello, and The Yellow Wallpaper Songsfor mezzo-soprano and piano trio, presented by Moirae Ensemble and Sandcastle New Music Collective

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

World premiere of Cathedral Rock for string orchestra, by the Illinois Philharmonic Orchestra

Chance Has Spoken for vibraphone and string quartet performed by PUBLIQuartet in celebration John Corigliano’s 80th birthday concert

Aleph, for solo cello

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Light for solo piano, and A Prayer for the Abandoned for piano trio presented as part of Refugee Orchestra Project residency at National Sawdust

Duo for Violin and Piano, performed by Soli Ensemble

Duo for Violin and Piano, performed by Soli Ensemble

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

World premiere of Fault Lines a short opera Commissioned by The Washington National Opera

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Light for solo piano, performed by Mila Henry Moore as part of fall 2017 Mallery Concert Series at Rutgers University

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Light for solo piano, performed by Mila Henry Moore as part of Refugee Orchestra Project residency at National Sawdust.

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Chance Has Spoken, for vibraphone and string quartet

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Four Haikus, for classical guitar duo, commissioned by Duo Noire

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Light for solo piano, performed by Kathy Supove

World Premiere of an art song for soprano and piano commissioned by Chautauqua Opera Company

World Premiere of Flight of Faith for tenor and orchestra commissioned by Chautauqua Opera Company

The Kreutzer Sonata, an evening-length ballet score for chamber ensemble; choreographed by Robert Binet and commissioned by Ballet Moscow

Legend of Sigh, for solo cello, pre-recorded cello, and electronics; commissioned and performed by cellist Inbal Segev at Baltimore New Music Festival