Methuselah (In Chains of Time) (2023)

For symphony orchestra
2 + picc, 2 + Eng. hn, 2 + b. cl, 2 + contra
4, 3, 3, 1
hp
pn/cel
timp, 2 perc
strings
Duration: 10 minutes
Commissioned by League of American Orchestras and Virginia B. Toulmin Foundation
Read an overview of the commission at americanorchestras.org

 

Review of the World Premiere:

“Gity Razaz’s Methuselah (In Chains of Time) received an auspicious world premiere Saturday. Razaz has a compelling voice and refreshing command of sonority and harmony. Highly charged fragments of tonally suggestive melodies, each on the verge of zipping off into space, are yolked together and anchored in sustained drones of harmonic semi-light. Brilliant use of orchestral color and a careful shaping of foreground and background ideas create an opulent and suggestive sonic landscape. The percussion were especially captivating in her piece, with mallet instruments and auxiliary sounds played expertly and with a great advocacy of her music.”

The San Diego Union-Tribune

 

Program Note:

The inspiration for this orchestral piece is Methuselah, a 4,854-year-old Great Basin bristlecone pine tree growing high in the White Mountains of Inyo County in eastern California. I came across a picture of this magnificent tree in a buddhist magazine, and was immediately struck by the awe-inspiring shape of the trunk, braided around its core and twisting upwards from the bone-dry surface of the rock-covered ground. There is hardly any surrounding vegetation, and the extreme climate — Methuselah is located around 10,000 feet above sea level — makes the tree’s longevity a true rarity.

The piece begins with a descending gesture, in the lowest range of the orchestra, depicting the roots of Methuselah. I imagine that deep under the rocky surface of the ground there must be many far-reaching roots, perhaps just as gnarled and twisted as the trunk and branches above. And from there, the consistent upward journey of the piece begins. The ensuing passages are developed from an ascending motive, which lead to a lyrical line in the solo violin. The melody lives on in the high register of the instrument, representing the precious persistence of life beneath the rock-hard, twisted bark of the tree. The piece ends with the melody dissolving in tutti chords across the orchestra. 

As I was composing the piece, I was constantly thinking about the remarkable endurance of life, a single-minded, unapologetic force whose sole purpose is to perpetuate survival in spite of all the odds. I could not help seeing parallels in various aspects of our world: the persistence of hope, the striving for advancement, and the fight for justice and betterment. Such ideals essentially sprout from the same impulse, embedded in our DNA: to thrive.

Request score and parts

Conductor Rafael Payare and Gity Razaz at the premiere of Methuselah (In Chains of Time) at The Rady Shell at Jacobs Park in San Diego

The Rady Shell at Jacobs Park in San Diego (Sandy Huffaker/San Diego Symphony)

The Rady Shell at Jacobs Park in San Diego (Sandy Huffaker/San Diego Symphony)